Usual Suspects

To enjoy Usual Suspects, turn off the site-wide music player on the bottom left, and click play on the Usual Suspects' player below. 

Rounding Up...

Since playing their first show at the legendary Spirit Club in early 1987, Usual Suspects were a top club band locally, playing original songs, opening for touring artists, and dodging all those pesky record labels that were always trying to tempt them with offers of fame and fortune. (Well, at least that's the way the band remembers it.) The band was twice nominated in the "best rock band" category at the San Diego Music Awards (damn those Beat Farmers), and received positive press from the likes of Karla Peterson (San Diego Union-Tribune) and John D'Agostino (The Reader & Los Angeles Times). The band worked hard at recording but released only two complete albums in its lifetime: Soapbox Row in 1992; and Month of Sundays in 2000.

In '87, the band had begun as a quartet, with Kyle on guitar, Brian on vocals, Bob Sheehan playing the drums, and Gary Halvin on bass. Later in that first year the band added a fifth member, keyboardist-guitarist Mike Wozniak, and what would become the Usual Suspects' sound was developed. Late in '87 the band gathered at Tim and Marvin's house (friends of Woz) to make their first recording. Mike, due to the fact that he had once recorded and and released a solo album, was the de-facto producer.  The band recorded seven of its best songs and the band's first release, Pictures Never Lie took shape.  The cassette-only release was finished in early 1988.  Wozniak didn't stick with the band for long however, and was briefly replaced by Sharon Golden on keys in the Fall of '88.  

 In '89, the band would have an unwitting brush with fame at a battle of the bands at San Diego State University.  Back to playing as a four-piece without keys, Usual Suspects played well, but the band that went on last had a singer with an amazing amount of charisma, as well as a fair amount of talent, and  completely won over the crowd by the end of their short set.  Looking back, losing a battle of the bands to Bad Radio wasn't really the end of the world.  The singer with all that charisma proved to be polite and quiet backstage, and introduced himself simply as, "Ed." He would later relocate to Seattle, and help form a group named Pearl Jam.  You may have heard of him.

Later in 1989, with the guys once again looking for a fifth member, they found Bob Fedeli, who played keyboards and guitar, and sang. Ready to record again, the band went to The Studio to record with the hottest engineer in town, Mike Harris. Incredibly prepared, the guys recorded and mixed 4 songs in a weekend, and the Return to the Moon EP was released in early 1990.

In '91, in the midst of another recording,  original bassist Halvin was replaced with Mark Tucker, whom the boys had known from his days with Junction 8, and the classic band line-up was finally in place. Due to a personal contact, the band had access to a local studio during evening hours and the boys made the best use of this time possible.  The tracks that made up the Soapbox Row album were largely recorded during this time. The album was finally finished as a cassette-only release in 1992.   The album was largely the result of Kyle's musical vision, and Bob Sheehan's artistic vision, as they had worked tirelessly on the album's concept and package. 

During all these recordings, the band always made time to keep playing out in the local clubs.  This band line-up was only altered for a brief period in '93-'94 when Fedeli stepped away from the band temporarily, and was replaced by local legend Mighty Joe Longa, organist for the Jacks and Tomcat Courtney.

In 1995, with Fedeli back in the group, the band remained active in the San Diego club scene, playing all the "originals" venues, and playing monthly at Jose Murphy's, one of the classic beach bars in town.  The idea of recording once again was encouraged by the band's longtime friend, engineer, and producer, John Hendrickson, who by now had developed contacts in the real music industry.

As house engineer, John had the ability to get the band into Schnee Studio in Hollywood during their down time, and once again the band took advantage, recording the basic tracks to another album.  During this time, John also became friends with Gavin Lurrsen, mastering engineer extraordinaire, and budding music producer.  Gavin agreed to oversee completion of the album as well as its final mastering. Month of Sundays was finally released on CD in 2000.    

However exciting the the prospect of another completed album was, Bob Sheehan had already left the group for the always popular "other interests" and although he was replaced by good players, including Todd Woolsey,  things just weren't the same. By the end of 1999, Brian, too, had convinced himself that he was finished with music and "retired" from the band.

Most of the former Usual Suspects reunited as Hatfield Rain, and continued to play together into the new millenium.  Later, Usual Suspects played together on occasion, usually once each Summer at Mickee's in Imperial Beach, but also in February 2005 at the Belly Up in Solana Beach, opening for the Beat Farmers.

The Bobs, Sheehan and Fedeli, have remained friends with Wookie Garcia and contributed mightily to their first recording.    
 

Recordings

Pictures Never Lie

Nobody Sees You Cry
Lies For You
Take Me Where You're Going
You've Got the Power
Pictures Never Lie
Now Go Home
Into the Funnel

Produced and engineered by Michael Wozniak
Released May 1988
c 1988 Brian Sharkey and Kyle Ince
p 1988 Usual Suspects/Nova Records


Return to the Moon

I'd Rather Sit Here
Return to the Moon
It's Not Tomorrow
Train Going Nowhere

Produced by Usual Suspects and John Hendrickson
Released February 1990
c 1990 Brian Sharkey and Kyle Ince
p 1990 Usual Suspects


Soapbox Row

Bombs in the Dirt
Never Going Back
House of Cards
Fireworks
Hands of Plenty
Where's the Party
I'll Pay the Price
Johnny's Shirt
As Large as Life
Don't Walk Away
Return to the Moon
The Best of Times

Produced by Usual Suspects and John Hendrickson
Released June 1992
c 1990, 1992 Psychic Artist Music/Tara-Anne Music (ASCAP)
p 1992 Usual Suspects


Month of Sundays

Invisible Man
Angels on the Train
Five Days Tired
Throwing Away Happiness
Fighting Words
Pull the Cord
For an Honest Man
The Lucky Ones
The Promise
Who's Gonna Listen to my Story?
Month of Sundays

Produced by Gavin Lurssen
Released June 2000
c 1999 Psychic Artist Music/Tara-Anne Music (ASCAP)
p 2000 Chapped Udder Records